Felix Thorn was born on 23rd December 1985 in Brighton, UK. At an early age he attended Brighton Steiner School where his affinity for the arts gave rise to a preoccupation with drawing, a passion that later developed into oil painting. Then at the age of 7 he was formally introduced to music as he began studying the piano. His lack of inclination towards reading music preempted an obsession with jazz improvisation in his teenage years. At college, Felix developed this sensibility into a new media of music creation when he discovered a keen interest in electronic music production via computer software. He had a love for making music with computer synthesizers and an ability to create in a range of styles, something that often derived
from his organic means of creation that lacked preconception. His continued passion for art saw him continuing sculptural and painting work during his art foundation course at Brighton City College in 2003.
In this time of music-making and painting Felix was primarily concerned with finding ways in which the two media could be united. Whilst a focus upon the theme of synaesthesia dominated the theoretical side of his work, he continued to exercise the more traditional types of art such as life drawing. The visual side was seemingly interrupted when he chose to study Sound Art at The London College of Communication, University of the Arts, London, however this did not stop the artist from finding ways to incorporate drawing and sculpture into his sound projects. In order to achieve the effect, Felix began to teach himself electronics.
After graduating with First Class Honors, Felix's Machines caught the attention of the London Sinfionetta which led to his first installation in Autumn 2007 at the British Library. Since then, interest sparked and Felix's Machines have subsequently performed at venues ranging from the Great Hall at the Battersea Arts Centre to a soundproofed control room inside a turbine bunker at the Faster Than Sound festival. Although they are mainly intended as a performance device, they have proved successful as an installation piece for parties such as in the final year show at the Royal College of Art (2008) and in a solo public exhibition at the Gasworks gallery (2008-09). During 2009, exposure has brought Felix’s activity over seas: an exhibition in Norway, a commissioned piece in Slovenia, and performances at Santarcangelo theatre festival, Italy. All the while, Felix’s Machines have been in development and were most notably upgraded for a live collaboration with Warp’s Plaid for a live show in Bordeaux. Beside involvement with the arts, Felix was selected to lecture to an exclusive audience at TED in the summer resulting in worldwide recognition. 2009 ended with a performance at the Barbican Center in London.